Showing posts with label samantha urbani. Show all posts
Showing posts with label samantha urbani. Show all posts

Monday, August 13, 2012

Friends - Manifest!




The alternative to the alternative Brooklyn- band Friends released their appropriately named debut album Manifest! last June. After a long period of catching shows across Europe and America, fans finally get the chance to be able to sing along to songs other than the already timeless hits “I’m His Girl” and  “Friend Crush”. On top of that, if you order directly through Rough Trade you can hear the brilliant cover of Ghost Town DJ’s “My Boo”, found on the exclusive bonus disc.

Some think that debut albums are definitive due to artists having control of production, rather than record labels breathing down their necks... Friends’ multi-instrumentalist Nikki Shapiro weighs in, saying that “debut albums usually are the best, because it’s like the honey moon period of a band. Everything is fresh and exciting”.

As it is exciting for bands to experience something new, so it is for fans to wait and hear how everything turns out on home stereos. My belief is that the best albums aren’t the best because they’re comprised of the most amazing tracks, but because the tracks work together, creating a whole. I had high expectations of Manifest!, but somehow the first few spins didn’t knock me out. Embarrassingly, I felt disappointed for feeling disappointment.

When asked about his general thoughts of the overall recording process, Shapiro thinks Manifest! would have been “way better” if it was recorded in the first couple of months, but they were too busy touring. He further explains “it was definitely over-thought but I think it came out ok.  Recording should document a special moment in time. The best recording captures a genuine mood or vibe. It's not easy to do. Over-thinking things take you out of the moment. Dancing is a perfect example of that.”

Is it also over-thought or even over- expected in the minds of the fans? Maybe. What I found to be disturbing is that even though Friends are known for mixing genres, there are drastic jumps from style to style between the songs. At first I heard some lovely feel-good pop, and then suddenly forced angst-disco. This is the bump on an otherwise smooth ride.

Of course albums that don’t hit me immediately have the potential to grow (in most cases!), and become favorites in the long run, opposed to those which I love right away, but then get bored easily with.  Since the first impressions, Manifest! has definitely grown on me, but weirdly enough it’s happened when the music is turned off. There’s something about singer Samantha Urbani’s lyric writing that creeps into your mind in its all simplicity and straight-forwardness during those hours when you’re alone with only your thoughts.  I’m sure everyone can relate partly to what she’s singing about, and if not, then at least learn something about themselves.  For example the album’s last song “Mind Control” can easily be considered an anthem for today’s liberals. Just listen to the track below to hear why.

2012 has been an amazing music year so far, and I have the feeling it will get even better with so many anticipated albums set to be released. Only time will tell if Manifest! reaches the very top of my list. Either way, it’s admirable how Friends have gained success in such a short time. Having read this article about why 99% of indie acts don’t get signed, I just had to ask Shapiro what he believed the key factor to Friends’ success was. In his own words:

Pure luck. I mean that. There are so many great bands out there that no one knows about. Also, success is subjective. Money and fame should never be the goal. That stuff is just a byproduct of making good work or sometimes bad work. Sometimes recognition too soon can stifle the natural progression of an artist. Don't ever believe the hype, kiddies. It's a killer. Just make killer art for yourself first.

Until the next time Friends releases something new, hold holy only what you want.





many thanks to nikki shapiro for sharing his honest thoughts. and time.

Tuesday, December 20, 2011

Covering your ass

I have heard a couple of really good covers in the past weeks, which made me think that there are covers that are so good that you either think that they are the original ones, if you don't know who's performed it first. Or you wish that the song would be the cover artist's own, because simply once again, it is way too good. The songs, which I chose for this list are in the order of cover first then the original. Let me know which one you prefer more!

1. McKisko - Baibaba Bimba

Australian McKisko is Helen Franzmann, whose music I got to know through a friend who got the chance to interview her for her placement in Australia. Song Baibaba Bimba is the first song I heard of McKisko, and it hit me hard. Still does.

The simplicity of Baibaba Bimba makes it sound so beautiful, and the hint of melancholy gives it the necessary hook to grab the listener and take them to a planet called 'calmness'. But also at the same time the drumming makes your body move a bit, and have you hoping you'd have the drum sticks in your hands.

Baibaba Bimba by McKisko

When I found out that the song actually belongs to a Japanese duet called Tenniscoats, I felt both disappointed and glad. Disappointed because I thought McKisko's cover to be her best song (her other songs are great too) and glad because of the original being good, but different. Happier in this case. Also it's cool to say that an Australian act covers a Japanese one.


For me the better version was the cover. The reason for this might be my Nordic melancholic spirit.

2. Azealia Banks - Slow Hands

Young New Yorker Azealia Banks was recently chosen to be one of BBC's Sound of 2012. I decided to check her music out, when I read an interview of Friend's singer Samantha Urbani wanting to have her babies or something like that.

Anyways a rapper with beats, which make you dance and lyrics, which make you go 'huh'? And an Interpol cover, which makes you go WHAAAAT? when you notice it on YouTube.

Yes you read it right. An Interpol cover by Azealia Banks. My favorite band being covered by someone who sings about homies and bitches.



LOVE IT!!!

It's so much more interesting to hear a song of an artist being covered by some act, which represents the opposite genre. For example if The National would cover Interpol it wouldn't be that interesting, or actually it would, but you get the point. Plus I don't remember hearing an Interpol cover before, and also I have to give points to Ms. Banks (now I realized that she has the same surname as Interpol's singer Paul, related?) who made Slow Hands sound romantic. I think she should cover all of their songs.

Here's the original:



I can't say which one is better, but I'm guessing the original would last in my player longer. But if I need a dose of chilled Interpol, I know Azealia Banks will only be a couple of clicks away.

3. gerrrace - Banquet

This Bloc Party's debut single Banquet cover by American siblings has been one of my favorite covers for at least a couple of years now. There are a lot of Banquet covers on YouTube, but what makes this special is how they make it their own. It feels so sincere and that they really don't need to push the singing.  Additionally not seeing the guitarist's head reminds me of the cartoon Cow & Chicken; you never saw their parents' upper bodies.

Too bad they haven't done any music lately, or that I'd know of. gerrrace or anyone else if you see this, hit me up with some more of your music if you can!



The brilliant original:



Once again can't say which one is better, but if I need to feel pumped up, then definitely the original.

Hope you enjoyed and discovered new great music!